The Chronicles of Crosarth – A Steampunk Adventure

You need to start writing a blog. Yes, you — the person who is reading this right now, either on my blog or a syndicated version on one of the websites I distribute this to. You need to go out, find some web space or a blog host, and start writing a blog.

And you need to do it now.

I talked about this back in March in my post about being an internet cockroach, but we’re siloing our internet into these social media black holes. Like I literally made a video about this today, and if you don’t follow me on the specific platforms here I post those, you’d have no idea that I said anything about this. We’re putting too much content into these black holes that cannot be archived, cannot be searched, and cannot be found years later. One of the reasons the web has, frankly, become worse is that we’re feeding everything into these centralized platforms that hide from the light of day.

One of the things that used to make the internet so useful was that people posted their random thoughts to blogs on the public web — be it on their own sites, LiveJournal, Blogger, etc. Your friends would either just visit your blog or subscribe to your site’s RSS feed (here’s mine!).

This made it easy to find information, let the sites get archived by services like Archive.org, and kept our platforms diversified — in case one site went down.

Blogging is the easiest thing to do out of any of these things too. You just post whatever you’re thinking the same way a lot of folks use platforms like BlueSky. Just… do that thing on a blog like this one.

You can self host like I do if you have the money, or use a dedicated blog platform. There are a bunch still out there. Heck, if you have an old TRHOnline account, you could even do it here (but maybe don’t, my software is terrible). Between services like Blogger, WordPress.com, Pillowfort.social, and a bunch more I’ve never heard of… there’s a place you can put it.

Importantly the first steps in building a better online experience for everyone has to come from us. We need to refracture into the smaller communities the internet used to be driven by instead of the outrage and algorithm driven centralized platforms we have today. And the easiest way to do that… is to start a blog.

And it can be about anything. Whatever you’re thinking. Just do it.

And tell me about it when you do.

Also, remember, you can pre-order Buried Memories, the fourth book in my contemporary fantasy series the Mia Graves Saga, out December 15th 2025.

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So back in December, you may have noticed that the webcomic I make with Ethan Flanagan, Peregrine Lake, went from color to black and white. The intention, originally, was to have this be a temporary situation. We always meant for Ethan to go back and update the pages.

But, uh, it’s been ten months. And that hasn’t happened.

Life is busy for both of us, and the amount of work that Ethan had to put into getting the color pages done made a regular schedule really hard to meet. I won’t go into details, but we had a choice between regular updates and full color. After a lot of discussion Ethan and I decided the comic would just stay in black and white.

That’s why the earlier black and white pages were a bit more slap dash compared to new ones, and why we’ve started adding touches of color when it’s important. I plan on going back and fixing some of the “coloring” on earlier black and white pages for consistency, but the pages coming out now? This is what those pages will look like in the eventual print copies.

And yes, the first print collection will be out in 2026.

Like a lot of you probably already assumed the comic was staying in black and white, but I wanted to make the announcement official. In many ways I think this adds to the vibe of the comic too. This entire story is set in winter, and if you’ve ever been out in the snow at night in Wisconsin, the world feels pretty monochrome already. Part of me wishes we’d started this way, but then I look at the gorgeous art Ethan did and I go… nah. I think we’ve done this the way we should have the whole time.

I just hope folks are enjoying what we’re making as much as we like making it.

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I talked about this back in May, but I’ve sometimes go out and play around with different generative AI products just to see what they can do. I never share what I “make,” and I never even mention what I’m using because I don’t want to be seen as promoting this stuff. My attitude generally has been that I believe the current way that AI companies scrape content from real artists and writers is unethical, but that the underlying technology could be used ethically if the tech bros running these companies had any respect for artists, writers, or any other creative human endeavour.

Genuinely my emotional response to the AI companies throughout this has been mild frustration and annoyance. Like here’s fascinating tech we could be using for something interesting, and instead we’re ripping off creative people and making some of the most soulless images and “writing” I’ve ever seen. I’m rolling my eyes and shaking my head for the most part.

That is not my response to AI music.

A couple of days ago I decided to try out an AI music product, since I’d never really dived into that end of the pool. So I messed around, made some funny songs (like I may have a pop punk song about the 1998 failed TV pilot Blade Squad on my computer right now because of it). I even used it to remix some of my old original work that not even I care about. Ever wanted to hear an orchestral metal version of my old Happy Wednesday song Dead Birds? That’s a thing on my harddrive now. I uploaded the Stormwood theme I wrote back in 2019 and added in the lyrics I wrote for it but never recorded too. But the more I thought about it, the angrier I got. Like, really, really angry.

Like shouting in my truck as I drove home from the store angry.

The creation of music is a fundamental, human thing. I don’t think most people know this about me, but I once had aspirations to be a professional singer. Like my pragmatic brain kicked in when I was, like, eighteen — but the passion that made me want that never went away. There’s a reason I’ve put out my own terrible music on and off over the years, and miss being in a band. Music moves me in a fundamental, human way, and I don’t think that’s an uncommon experience. The right modulation at the right time in a song scratches a very specific itch in my brain. The human voice alone pulls at strings in me I don’t know how to describe.

Music is different than a lot of other creative stuff to me. The writing of something as a creative act is, y’know, important — but I also know I can write a better novel than ChatGPT can churn out. But once the text is down, it’s done. Music is different. Music is written, but every performance is a work of art on its own. Music is alive. Music is living. Every cover of a song brings different soul, different heart. If I, say, listen to Golden from the soundtrack recording of K-Pop Demon Hunters Ejae’s performance moves me… but not as much as her live performance on Fallon, even if it was in a lower key. When I listen to anything by Within Temptation, Sharon den Adel’s voice just hits me like a freight train in the best way. Singing like that is a full body, physical thing that I think most of us can feel connected to.

So when I hear a simulacrum clearly trained on den Adel “sing” anything back to me, I just get filled with rage.

I don’t hate most music production tools. Autotune doesn’t bother me — it’s just another instrument, and a human performance underlies it. Samples don’t bother me, because that feels like an act of composition (and a human made those choices). There is no human connection to this “music” though. There was no soul put in by an artist. No human touch to the composition. No producer sat there fiddling with settings until it punched just right.

This is just hollow and monstrous.

We haven’t even touched on the environmental impact of datacenters, or the fact that the economics of this whole industry seems like a bubble driven by a shell game that could plunge our economy into chaos. I don’t think I was truly radicalized against generative AI until experiencing this. The people who made this product don’t give a shit about music, it’s just another product to them. Another thing they can monetize while they destroy the world.

And so now I’m angry.

Uhhh, I have a book coming out and I need to promote it here. So, I guess you should pre-order Buried Memories, the fourth book in my contemporary fantasy series the Mia Graves Saga, out December 15th 2025. That transition wasn’t awkward at all, I don’t know what you’re talking about.

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